On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, shopping malls and stadiums where punk rock music and culture continue to thrive.

Desperate to meet new girls, six down-on-their-luck guys come up with the ultimate plan to hook up - cast a fake movie. When tons of hot chicks show up for the audition, it's a matter of who's willing to go the farthest to get the part.

Florence, early 1960s. Bruno aspires to be hired at a prestigious factory, but his Communist ideals — instilled by Millo, a father figure and family friend in love with Bruno's widowed mother Ivana — are an obstacle. His relationship with Lori, a beautiful and tormented young woman who has just returned from Milan, reshapes his convictions. Freely adapted from a minor novel by Vasco Pratolini.

Beto wakes up in his apartment not knowing where or who he is. He does not remember anything from his past. On the floor is a passport in the name of Marcelo Peralta. Trying to regain memory and their own lives, reveals a number of elements that will be intertwined with each other in unexpected course of events, such as theft, fraud and passionate love.

American religious extremism collides with independent filmmaking when Harmony Hope Bryant sets out to create a cautionary movie about the dangers of roleplaying games.

During the 1997 IMF when collecting gold was part of a movement, Sang-hoon who wanted to be something cooler, was the owner of a boarding house which wasn't doing very well. His wife Ji-won failed to get overdue bills and the two are about to go bankrupt. To make things worse, a loan shark starts bullying Sang-hoon for money and in the end, Sang-hoon decides to do something about it.

While playing Hal's Hole Hootenanny, Hal accidently digs up Bad Dog Bart's second buried treasure map. The map leads to Bad Dog Bart's stolen loot of cat toys, which brings back emotional memories for Nature Cat of a stolen family cat toy!

"The Songs Aren't Good Enough, There Aren't Any Singles And It'll Never Get Played On The Radio" - Like the other reissues, the DVD includes a documentary on the album. The title - The Songs Aren't Good Enough, There Aren't Any Singles and It'll Never Get Played on the Radio - is Gore paraphrasing Daniel Miller about his demos for Black Celebration in the film. The double-documentary discusses both The Singles 81→85 and Black Celebration, its more challenging commercial success (especially the song "Stripped") and all five related singles. It also includes a plethora of behind-the-scenes footage of the making of Black Celebration and the ensuing tour. Highlights include the band meeting The Cure, and behind the scenes footage of several of the music videos. The documentary is nearly an hour long.

Documentary short about the making of John Wayne's final movie, the 1976 film The Shootist.

Alexis, a very stingy person, saves his friend for the sole purpose of recovering his debt. But when a woman attends this scene, she takes him for the hero he is not.

It tells the story of Emilia, who is sent to a convent where paranormal forces start to mount among the holy and the tortured.

The first screen adaptation of Harriet Beecher Stowe's novel to star a black man in the title role.

Unwilling to process a near-fatal car accident, an overworked director arrives late to the set of his horror film to find that most of the crew has left. Determined to complete the film, he and the remaining crew find out that his trauma from the accident refuses to let him go that easily.

Directed by Keshavrao Dhaiber.

Tiffany is hunting for answers after her sister died during an encounter with the mysterious woman in white. When she crosses paths with Adelaide, a young woman whose family seems to be targets of the same entity, she tries to keep the deadly history from repeating itself.

The baron of Santafusca, descended from a noble family, leads a dissipated life. To pay debts he is forced to sell his house. He tries to steal from the house of a very rich priest and, surprised during the theft, he kills the priest, and then throws the body in an abandoned well. He continues his life of revelries and luxury, until the remorse for the crime trigger a process of self-destruction. The nightmares of the baron, tormented by the only evidence left of the murder, the hat of the priest ,drags him into a daring and hallucinated series of ups and downs to the brink of insanity and jail.

Miller, a badly injured cowboy, hears about a magic potion that is supposed to heal all wounds. He wants to get hold of it at any cost. But two men of God fearlessly stand in his way...