Peter i Marcia wyjeżdżają na weekend na kemping, na mało znaną plażę. W trakcie podróży i na miejscu biwakowania, robią jednak wszystko przeciw naturze. Tylko, że tym razem bezbronna jak myśleli przyroda postanawia się odwdzięczyć, a natura nie zna litości.

During a war in an imaginary country, unscrupulous soldiers recruit poor farmers with promises of an easy and happy life. Two of these farmers write to their wives of their exploits.

While The Rolling Stones rehearse "Sympathy for the Devil" in the studio, an alternating narrative reflects on 1968 society, politics and culture through five different vignettes.

Uhonorowany Specjalną Złotą Palmą esej 88-letniego reżysera: błyskotliwe, radykalne formalnie, prowokacyjne intelektualnie spojrzenie na filmowe medium. Każdy z rozdziałów (poświęconych m.in. podróżom, wojnom czy prawu) to fragment historii i dopiero gdy zbierzemy je razem, dostrzeżemy pełny obraz. Złożony z cytatów z klasycznych dzieł, newsów czy filmików ISIS z YouTube’a, erudycyjny "The Image Book" mówi o terrorze obrazów nie tyle wyjaśniających nam świat, ile kształtujących go zgodnie z politycznym zamówieniem. Podążając w stronę Bliskiego Wschodu, Jean-Luc Godard przygląda się kwestiom reprezentacji i jej braku, przekleństwu wizerunku narzuconego przez Zachód, podporządkowującemu spojrzeniu. Tasując na ekranie obrazy i manipulując dźwiękiem, twórca "Do utraty tchu" pyta o rolę, jaką odgrywa kino w historii XX i XXI wieku: kronikarza przemocy, wirusa roznoszącego groźne ideologie, strażnika istniejącego porządku, a może biernego obserwatora?

Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, featuring real people, sometimes moving, in an effort to explain the series' significance.

Daniel needs some money to buy a duffle coat that is in fashion, so he agrees to work for a photographer by dressing up as Santa Claus. He discovers that it is much easier to meet girls when he is in his costume.

The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".

A depressed woman, Barbara, is on the verge of suicide while a man she meets in a church and a married couple try to convince her that life is worth living.

Britain's biggest pop singer, Steven Shorter, receives unwavering adulation and possesses total control over his rabid fans, which includes nearly the entire population. Yet Shorter is not an autonomous performer -- he is little more than a puppet for the government, promoting whatever agenda they see fit. When a beautiful artist, Vanessa Ritchie, is commissioned to paint his portrait, she pushes Shorter to question his obedience to his manipulative handlers.

Chłopiec zakochuje się w niewolnicy, która bierze go za swojego pana. Wbrew zakazowi dziewczyny młodzieniec sprzedaje na targu kobierzec, co prowadzi do rozdzielenia pary.

"Szmery w sercu" to historia piętnastoletniego chłopca o imieniu Laurent Chevalier, który dorasta w burżuazyjnym otoczeniu w Dijon (Francja). Wszystko dzieje się w środkowych latach pięćdziesiątych. Laurent jest sprowadzony na złą drogę przez nowoczesnego młodzieńca z Ameryki: upija się, pali, uprawia sex (pierwszy raz przeżywa z prostytutką - za sprawą starszych braci). Jest pupilem mamy, ojciec go ignoruje, w końcu dostaje reumatoidalnej gorączki i wyjeżdża do sanatorium, tam dochodzi do pewnego zbliżenia...

Ojciec żegna się ze swoją córką i odchodzi. Jak holenderski krajobraz zmienia się w różnych sezonach, tak zmienia się i dziewczyna. Staje się młodą kobietą,

Tells the "riches to rags" story of the Nobles, three upper-class twenty-somethings that appear to have no limits to their checkbooks, and no direction in their lives. Until one day, their father tries to teach them a lesson by staging a financial scandal that forces the whole family to escape to an old house in the poor side of town, and leads the "kids" to do what they haven't done before: get jobs.

The idea is simple / A married woman and a single man meet / They love, they argue, fists fly / A dog strays between town and country / The seasons pass / The man and woman meet again / The dog finds itself between them / The other is in one, / the one is in the other / and they are three / The former husband shatters everything / A second film begins: / the same as the first, / and yet not / From the human race we pass to metaphor / This ends in barking / and a baby's cries / In the meantime, we will have seen people talking of the demise of the dollar, of truth in mathematics and of the death of a robin." - JLG

As the city of Paris and the French people grow in consumer culture, a housewife living in a high-rise apartment with her husband and two children takes to prostitution to help pay the bills.

In this Dickens adaptation, orphan Pip discovers through lawyer Mr. Jaggers that a mysterious benefactor wishes to ensure that he becomes a gentleman. Reunited with his childhood patron, Miss Havisham, and his first love, the beautiful but emotionally cold Estella, he discovers that the elderly spinster has gone mad from having been left at the altar as a young woman, and has made her charge into a warped, unfeeling heartbreaker.

Nastoletni Lorenzo oznajmia matce, że wybiera się na szkolną wycieczkę. W rzeczywistości samotnie spędza tydzień w piwnicy.

A fictional account of the life of Japanese author Yukio Mishima, combining dramatizations of three of his novels and a depiction of the events of November 25th, 1970.

Paris, 1967. Disillusioned by their suburban lifestyles, a group of middle-class students, led by Guillaume (Jean-Pierre Léaud) and Veronique (Anne Wiazemsky), form a small Maoist cell and plan to change the world by any means necessary. After studying the growth of communism in China, the students decide they must use terrorism and violence to ignite their own revolution. Director Jean-Luc Godard, whose advocacy of Maoism bordered on intoxication, infuriated many traditionalist critics with this swiftly paced satire.

This deceptively simple tale of a bored English couple travelling to Italy to find a buyer for a house inherited from an uncle is transformed by Roberto Rossellini into a passionate story of cruelty and cynicism as their marriage disintegrates around them.