A family lives poorly in a village in the Lebanese mountain. One day the father abandons his family and leaves for Brazil, considered an Eldorado by a great number of his compatriots. Twenty years pass. The mother raised her children with great difficulty: the elder has a family and the younger one is getting ready to immigrate to Brazil. One day a ragged old man arrives to the village.

At the end of September 1941, Soviet artillery troops in besieged Leningrad realize that pretty soon they will fire their last shot, and after that the defense of the city will be doomed. The film is based on a true event: a small group of fearless soldiers transported a large supply of gunpowder through enemy lines to Leningrad.

HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.

Minori is a pretty server in a ramen shop. She is fed up with people who care only about her appearance and themselves. She is always straight forward and angry at everyone. She is also angry at herself who cannot really change anything.

These likeable dropouts from the entrenched corporate lifestyle of New Eden eke out a meager living on trade runs and the odd courier job here and there. Still, they manage to find humor in their grim lot as they narrowly avoid being blown out of the stars by pirates, hired thugs, or whatever threat awaits them on the other side of the next jump gate. This is life aboard the Clear Skies.

Drawing from a passage from the Rosh Hashana Service, “Who shall live, who shall die… who by water, who by fire,” this short film deals with that which has been preordained—a future history that will in time unfold before us as the faces of passengers on a ship forces us to contemplate our own fate.

“Forgetting is complicit in recidivism,” says the commentary of this film dedicated to the demonstration of October 17, 1961 in Paris and the savage repression that followed. 11,538 Algerians will be arrested, which is reminiscent of the great Vel d’hiv roundup of July 16 and 17, 1942 where 12,884 Jews were arrested.
 The film brings together eyewitnesses including a priest, a peacekeeper, a couple of workers sympathetic to the Algerian cause, a lawyer, Paris municipal councilors including Claude Bourdet (then one of the leaders of the PSU and journalist to France Observateur), Gérard Monatte, the future police union leader, and the editor and writer François Maspero.

College student Mutou Ookawa catches a glimpse of Ametani Yuiko, his co-worker from a former part-time job and falls immediately in love. Summoning up his courage, he eventually confesses his feelings to her and she responds “…but I’m a fujoshi.” Mutou not having the slight clue what “fujoshi” means, immediately responds “That’s OK!”

When Eva-Lotta climbs the roof of moneylender Gren's house. Through a window she overhears a turbulent conversation about an IOU. A few days later she finds Gren dead.

In the midst of a strike, people find their liberty limited by the walls of their homes. In these micro-worlds there are no rules nor conventions and home becomes a white canvas where anyone can rethink life and its nonsense.

four-year history of the transformation of the centenary Palmeiras club.

Let’s get SICK’NING for the Holidays! RuPaul’s Drag Race legend Laganja Estanja is here for Hey Qween’s Very Green Christmas Special!