A young woman explains her methods of coping with pressures at work.

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.

Top Nazi officials, intent on rooting out traitors and those in the military who may be plotting to overthrow Adolf Hitler, recruit and train a group of beautiful prostitutes whose mission is to use any means necessary to uncover plots against the Fuhrer.

Life Is Good is Ashish Shakya's first-ever comedy special that has been honed over the last two years of his career, or the last 34 years of his existence - whichever backstory you prefer. Watch Ashish oscillate between goofy and sharp as he unleashes a volley of jokes on everything from the futility of nostalgia, to the ridiculousness of youth to stepmoms, terrorists, Bollywood, satire, romance and the pointlessness of existence. When asked why people should watch this special, Ashish said, "It's funny, it's chill, it's relatable AF - it won't change your life but you'll laugh, get some sweet dopamine hits and then go to bed with your someone special."* *Someone special not provided by comedian. Audiences are requested to make their own arrangements.

Someone from another planet crashed on Earth and evil is chasing him, and then love appears, and it defeats evil through an amulet.

Deep inside a municipal art museum, a single guard is the sole queen of a small exhibition. When she is forced to leave the room, her exile becomes a journey in search of a new home.

Fragments of the approximation between two boys shows the naive curiosity of Celio for Dario, the assumption of Sofia by this approximation and the previous interest of Dario for Celio.

Amateur filmmaker Kemal Mutlu captures scenes of everyday life with plans of making a film. He lives with his housemate Nuri in a small flat in Istanbul. One day,Nuri's friend from orphanage, Izzet, comes to visit unannounced. Just out of prison, Izzet's colorful character grabs Kemal's attention, and he decides to make a film about him. Unfortunately, it soon turns out that underneath his friendly exterior, Izzet is a psychopath. When he is refused entry into a bar, he gets in by force and kidnaps actress Oznur Kula. Kemal is happy to have found an actress to star in his film, however things soon get out of control as Izzet's sick plans unfold.

A journey through the times and spaces of the Hotel Jugoslavija.

Podczas wizyty w Paryżu Pepe zakochuje się w kotce, którą uważa za skunksa.

Na zimnej i ciemnej Sardynii za zbrodnią bardzo młodej dziewczyny kryje się szokująca rzeczywistość. Sante Moras (Luca Argentero), były funkcjonariusz policji, który stał się strażnikiem więziennym, zostaje oskarżony o morderstwo, którego nie popełnił: a mężczyzna winny torturowania i zabicia młodej dziewczyny zostaje znaleziony martwy w areszcie policyjnym. Zmuszony do ucieczki i ścigany przez komisarza Tommaso Lago (Francesco Acquaroli), Sante decyduje, że jedynym sposobem na uratowanie się jest pójść na całość i szukać prawdy. Z pomocą Fabiany Lai (Cristiana Dell'Anna), dziennikarki śledzącej tę sprawę, odkryje niepokojącą prawdę: nie tylko Sante jest w niebezpieczeństwie i musi działać, zanim zginą inne niewinne młode dziewczyny.

Two estranged, twenty-something sisters reunite five years after the death of their parents, and soon revisit their treacherous history.

A look at the aftermath and global impact of the docuseries `Surviving R. Kelly'

A profile of Catskill mountain derelict Freddy Derryl takes a sudden, personal twist.

90 seconds silent film edited from 2 rolls of 100 feet reversible in black and white, filmed in my house, in my garden on the occasion of an unusually intense snowstorm.