In the backwoods of British Columbia, Canada, three small but dedicated crews of adventure seekers were quietly changing the course of a sport and carving their paths in history. And it was all happening unbeknownst to each other, the cycling world, and ultimately themselves. This film is the origin story of a small movement of mountain bikers and filmmakers who ruse up, challenged the status quo, and turned the sport of cycling on its head. All they wanted was to feel free. No rules, no sponsors, no claim. Just the raw freedom of riding their bicycles down the unthinkable. This is a story that has never been told, told by the people who lived it firsthand. A moment, this moment, can only ever happen once.

Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the emotions and thoughts of the Waiãpi as they first encounter their own recorded images and those of others. Viewing news broadcasts and videos of other Brazilian native peoples, the Waiãpi see the power of images to facilitate memory preservation and political awareness. Some people worry, though about the invasive spirits of outsiders that can come through the TV. Another concern is the negative exposure that might result from the Waiãpi broadcasting their own images.

Soviet animation inspired by the ancient Egyptian paintings.

LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)

A humorous animated 'Op-Doc' explores the rich history of adaptation, plagiarism, and other forms of appropriation in art.

Rachel Corrie, a young American woman and her friends attempt to stop a bulldozer from clearing out some homes and other buildings. Corrie was run over and killed. Witnesses claim it was deliberate.

Juan Perez is a wizard who begins to remember how he lost his head, after an economic crisis in the Circus where he works, he promises to mount a spectacular act of beheading that it could again return it to its glory years. But without any fifth in the bag and with time running out to build a machine is forced to rob a real guillotine without this weighs a terrible curse.

It is the 30th millennium. Humanity is caught in the midst of a fratricidal war between those of the meta-human Space Marines who are loyal to the Emperor, and those who no longer are. The once noble warriors of the XII and XVII legions are cutting a bloody path throughout the realm of Ultramar, committing boundless atrocities out of sheer spite and hatred for their cousins belonging to the XIII legion. In this episode we gain a glimpse of the aftermath of the battle on planet Sathus, and the living nightmare taking place on a starship manned by traitorous legionaries, as they bide their time on the approach to planet Calth.

Three artists struggling against the grid of society find spiritual renewal.

Join Thomas as he roars down the tracks with the most special delivery yet, the Lion of Sodor. Thomas' special delivery is not what he thinks it is - a real lion. When the other trains try to tell him that it's actually a statue, he is too excited to listen. Join Thomas as he learns the importance of listening to others in this lion hearted collection of tales from the tracks.

You are following the lives of a family who have chosen not to take the microchip implant but instead live a life with no home and consistently on the run from the one world government known as the F.A.T.H.E.R.

This artist-produced television show, which aired on Manhattan cable-access from 1979 to 1984, features performances by and interviews with a cast of art-world personalities, live calls, and a home-shopping segment. In this episode, the artist’s alter ego, Dr. Videovich, teaches viewers how to deconstruct the nightly news and how to paint on velvet. Guest commentator John Torreano offers his opinions on contemporary art.

In the Mouffetard district of Paris, Jérôme Crainquebille, an affable four-season merchant, is stopped by a police officer and taken to the station, unjustly accused of shouting "Mort aux vaches!" ("Death to the cows!"). When he returns to work after a fortnight's detention, he is ostracized by his neighbors. Lonely, Crainquebille sank into despair and alcoholism. His life in prison seemed sweeter, and his attempts to return were in vain. He owes his salvation to the affection of a local kid.

A spunky young bellhop investigates the murder of a hotel guest.

The movie tells about quotation gangs in Kerala. How youth get involved with all antisocial activities like Ganja mafia.

Violet, employed as a maid of Count Berkow, is wrongly accused of burglary of the Count. After an unjust prison sentence Violet travels to America.