Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Preserved by the Academy Film Archive in 1996.

Apu is a jobless ex-student dreaming vaguely of a future as a writer. An old college friend talks him into a visit up-country to a village wedding. Preserved by the Academy Film Archive in 1996.

Po ataku na ZSRR wojska niemieckie z błyskawiczną prędkością przemieszczają się na wschód. Armia Radziecka jest w odwrocie. Plan Hitlera zakłada szybkie zneutralizowanie Sowietów i zajęcie Stalingradu. Jednym z dowódców obrońców jest doskonały strateg, generał Czujkow

A sex-obsessed woman, a suicidal man she meets on the street, and a gun-crazy wannabe gangster become trapped in an underground hideaway.

Goopy Gyne and Bagha Byne are banished from their respective villages for being bad musicians. However, with their skills, they succeed in pleasing the king of ghosts who grants them three boons. How will they succeed in preventing the war between Halla and Shundi which is looming large?

ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama.

INTO THE CIRCLE ( German: IM INNEREN KREIS) highlights the diverse psychological and political consequences of covert police operations. The undercover police officer, Iris P., investigated the Hamburg left scene as "Iris Schneider" for nearly six years. She had close friendships, and she had several years of intimate relations with people, who at the same she spied upon. After Iris P. was publicly unmasked in 2014, two more clandestine investigators were revealed as well. However, public surveillance can also affect people who would have considered it impossible. This is illustrated by the case of the police officer Simon B., who enrolled in the University of Heidelberg, to spy out peaceful left-wing students.

William, student uniwersytetu, ginie w wypadku samochodowym tuż przed domem swojego profesora, Stephena. Narzeczonej Williama Annie, studentce z Austrii, udaje się przeżyć wypadek. Stephen udziela jej pomocy podejrzewając jednocześnie, że to ona spowodowała kraksę prowadząc auto. Jednak Stephen nie zdradza się ze swoimi podejrzeniami przed policją. Zaprezentowane zostają sceny z niedalekiej przeszłości, i staje się jasne, że pod konwencjonalną maską główni bohaterowie ukrywają swoje pasje, pierwotne instynkty, antagonizmy oraz rozpacz, które zostaną uwolnione poprzez oczyszczającą obecność Anny.

In eighth century China, the Emperor is grieving over the death of his wife. The Yang family wants to provide the Emperor with a consort so that they may consolidate their influence over the court. General An Lushan finds a distant relative working in their kitchen whom they groom to present to the Emperor. The Emperor falls in love with her and she becomes the Princess Yang Kwei-fei. The Yangs are then appointed important ministers, though An Lushan is not given the court position he covets. The ministers misuse their power so much that there is a popular revolt against the Yangs, fueled by An Lushan.

Kobieta, podejrzewając, że mąż ją oszukuje, wynajmuje detektywa, który odkrywa prawdziwą tożsamość mężczyzny.

A man's simple lie to secure his job escalates into more complex lies when his orthodox boss becomes suspicious.

In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art. But over time a sexual attraction develops, with heartbreaking results. Preserved by the Academy Film Archive in partnership with The Film Foundation and Merchant and Ivory Foundation in 1996.

A real life account of the deadly Nipah virus outbreak in Kerala, and the courageous fight put on by several individuals which helped to contain the epidemic.

Two prisoners in complete isolation, separated by the thick brick walls, and desperately in need of human contact, devise a most unusual kind of communication.

A wealthy landlord lives a decadent life with his wife and son. His passion – his wife would calls it his addiction – is music, and he spends a great deal of his fortune on concerts held for the locals in his magnificent music room. He feels threatened by his neighbour, a commoner who has attained riches through business dealings. His passion for music and quest for social respect are his undoing, as he sacrifices his family and wealth trying to retain it.

In France, before WWI. As every Sunday, an old painter living in the country is visited by his son Gonzague, coming with his wife and his three children. Then his daugther Irene arrives. She is always in a hurry, she lives alone and does not come so often... An intimist chronicle in which what is not shown, what is guessed, is more important than how it looks, dealing with what each character expects of life.

A mysterious suicide and a series of unmanned robot run-aways sparks off a Police investigation into the suspicious software on-board thousands of industrial robots around Tokyo.

Bunt. Rok 1725, czas rządów dynastii Tokugawa. Samuraj Sasahara (Toshiro Mifune), wielki i powszechnie szanowany mistrz miecza, jest jednym z najbardziej zaufanych podwładnych księcia Matsudaira. Pewnego dnia jego syn zostaje zmuszony do poślubienia byłej kochanki władcy, która po urodzeniu dziecka została wygnana z zamku. Wkrótce owe dziecko staje się następcą tronu i matka zostaje wezwana z powrotem na dwór. Młodych łączy jednak szczere uczucie, więc samuraj Sasahara głowa rodziny, odmawia jej powrotu. Wtedy kobieta zostaje uprowadzona, a mężczyznom poleca się popełnienie harakiri. Ojciec i syn buntują się. Łamiąc zasadę bezwzględnego posłuszeństwa, muszą podjąć walkę na śmierć i życie.

A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.

Kurosawa opowiada tu historię bogatego właściciela fabryki Gondo. W momencie, kiedy ma on zainwestować majątek całego swojego życia, zostaje telefonicznie poinformowany o porwaniu syna. Suma, którą ma zapłacić w zamian za jego uwolnienie jest praktycznie równa tej, którą chciał zainwestować. Gondo staje przed dylematem moralnym, bowiem okazuje się, że porwano nie jego syna, lecz dziecko jego szofera. Policja wpada na trop kidnapera...