A woman calling herself Princess Oryu enters the woman's prison. She is Kasumi, the daughter of the famous magistrate, Ooka Echizen, who slowly after hearing each of the prisoner's stories begins to realize the mystery that lies behind what it could be a big conspiracy.

Young geisha Koshizu's wish of reuniting with the man, Yukichi, who helped her ten years ago comes true. When she learns of the trouble Yukichi's business is facing, she stands ready to come to his aid, and thus repay a debt that's long overdue.

An insecure wife fears her husband may be straying back to an old flame.

With much of Mogwai’s recent output having fallen uncharacteristically flat, one could be forgiven for thinking that this release, a live album and DVD set, signals the once-great band finally running out of ideas. Yet while Special Moves/Burning offers nothing in the way of new material, it serves as a timely reminder of Mogwai’s immense talent and eternal ability to inspire.

N recounts the story of the Frenchman Raymond Borremans, who left Europe for Africa in the mid-20th-century. He devoted his life to the creation of the first encyclopaedia of this other world, dreaming of eternal recognition. He died, however, having only reached the letter N. With his encyclopaedia incomplete, his restless spirit drifts around West Africa, caught between life and death, past and present. This is the story of how he tries to complete his unfinished task from beyond death. N is both visually and musically a truly striking film. It is a multi-layered audio-visual symphony of great narrative richness. Hovering between dream and reality, this magical film plays on the confrontation between the Western mind and African spirituality.

Based on the novel by L. P. Hartley, The Hireling is a dissection of antiquated but hardly dormant British class distinctions as a lonely socialite and her chauffeur become more than friends.

Shankar's brother remarries after the death of his first wife, and then Shankar wrongfully gets ousted from his own home by the new wife and her brother. Years later, he decides to expose their true intentions.

A husband and wife are on the road doing a traveling BDSM show at various seedy locations. The wife is getting bored with the show and wants to quit. But while on tour in Kyoto a wealthy man and his proper looking wife invite them to do a private show. Little do they know that their stage routine is just child’s play compared to what the couple have in mind for them.

Film Henryka Kluby ukazuje ostatni etap życia wielkiego twórcy, etap, w którym Witkacy podejmuje decyzję o samounicestwieniu. Narastające poczucie zagrożenia, bezcelowości wszelkich działań, lęku przed tym, co ma nastąpić, towarzyszy mu nieustannie podczas ucieczki z Warszawy na Wschód przedsięwziętej w momencie wybuchu II wojny światowej. Codzienne fakty i wydarzenia przeplatają się w filmie z reminiscencjami, obrazami z jego życia wspartymi wewnętrznym monologiem artysty. Styl narracji i sposób fotografowania sprawiają, że film staje się przejmującym studium wewnętrznej dezintegracji pisarza. Podkreślając malarskość obrazu, wprowadzając wątki oniryczne, Kluba oddaje na ekranie cechy właściwe zarówno dramatopisarstwu, jak i malarstwu Witkacego. [filmpolski.pl]

Sivandha Mann, also spelt as Sivantha Mann, is a 1969 Indian Tamil language film written, produced and directed by C.V. Sridhar that stars Sivaji Ganesan, Kanchana and M. N. Nambiar in the lead roles, while other actors like R. Muthuraman, Nagesh and S. V. Ranga Rao play supporting roles. It is notably the first Tamil film to be shot extensively in locations outside India, and later Tamil and Telugu films "fell to the French charm" after this. The film was a major success. A Hindi remake titled Dharti starred Rajendra Kumar and Waheeda Rehman in the lead, along with Sivaji Ganesan in a cameo role.

After an assassination attempt, a broke mob wife takes over his husband's dirty work and collects her husband's debt with the help of her best friend - a hairdresser and her step daughter.

When George runs out of the police riot bus and sees his daughter among the demonstrators facing him, he and his wife decide that father and daughter should go to their country home for a few days, to keep her safe and see if they can salvage their relationship.

In three corners of the Buenos Aires neighborhood known as Recoleta, life and death pursue parallel paths. One of silence, death, rebellion and drugs. Lecube is staying in a hotel with his lover Celia and his son Marcelo with whom his friend Toto is trying to initiate a homosexual relationship.

A subtle and brilliant sexual awakening of a boy, who is torn between following his wishes or away from them, even though the world that opens before it is too powerful to be ignored in this way.