"MATRIX is a flicker film which utilizes 81 still photographs of my wife's head. It is a film dependent upon variation of intense light changes by calculated combinations of black and white frame alternations with exposure changes. Throughout, the light intensity rises and falls as the head rotates in varying directions within a 360 degree frontal area." — James Cagle

Po tym, jak uczniowie liceum w Tromaville zostali zarażeni radioaktywną shaormą z fabryki żywności Tromorganic i zaczęli mutować w agresywnych nerdów, dwie przyjaciółki-lesbijki postanawiają odkryć spisek właściciela fabryki żywności, dyrektora szkoły i prezesa Lemmy'ego Kilmistera.

Po wojnie nuklearnej świat wygląda jak pustynia. Max (Mel Gibson) zostaje obrabowany i udaje się do najbliższego miasta, żeby uzupełnić swoje zapasy. Tam podstępna władczyni, Entity (Tina Turner), wciąga go w spisek, mający na celu pokonanie Master Blastera. Max jest zmuszony do stoczenia pojedynku w Świątyni Gromu, a następnie zostaje wygnany z miasta. Na pustyni spotyka osadę dzieci, które biorą go za znanego z wyroczni mężczyznę. [opis dystrybutora Blu-ray]

A young girl is striving for stardom. In order to get a lead role in a new production, she agrees to stand-in for a famous star whose rich patron died in her arms one night. The real-life drama gradually comes to mirror the story of the play being performed by her.

The truth is way stranger than fiction,” muses one interviewee in this unbelievable true account of an incredible war time saga. As the Second World War was coming to a close, the US Office of Strategic Services trained and parachuted two Jewish refugees and a German deserter deep into Nazi occupied Austria. Through vivid first-person accounts, re-enactments, archival footage and learned commentary, the film reveals how their efforts disrupted a vital supply route between Germany and the Italian front to bring about the surrender of Innsbruck to Allied Forces. Their unbelievable adventure has a finale that beats any Hollywood movie hands down — but a story so powerful that it became the basis for Quentin Tarantino’s mega hit.

Fusion spent two years with the production team of Disney's smash hit film. In 'Imagining Zootopia,' you will travel with the team to Africa to explore the animals in their natural habitat and find out how the storytellers and animators dealt with the very real themes of prejudice and bias.

"Baby są jakieś inne" to najnowsza rozprawa arcymistrza słownego humoru ze stereotypowymi opiniami na temat ról kobiet i mężczyzn oraz chwytliwym, acz coraz bardziej mylnym przekonaniem, kto z nas jest z Wenus, a kto wziął się z Marsa. "To temat, który fruwa w przyrodzie, wypływa w książkach, gazetach, parlamentach, na uniwersytetach i nagli, by go złapać, podjąć. Poza politycznymi i ekologią - najważniejszy obecnie cywilny temat na świecie", tłumaczy reżyser.

As a massive alien craft heads to Earth to do evil, three good and powerful superwomen befriend a young boy who has a special connection to Gamera. The alien Zanon launches a battery of familiar foes against Gamera, who might have to give the ultimate sacrifice to defeat the alien invader.

A darkly surreal tale in which a woman goes on a desperate search to satisfy her hunger.

An inside look at the making of the movie Star Wars: Episode VII - The Force Awakens (2015), featuring footage and exclusive interviews with the actors and filmmakers.

The film grapples with multiple issues, but primarily the changing nature of love and its impact on the twin institutions of marriage and family.

Abstract art film made for gallery exhibition.

The exuberant irreverence and wit of Butterfly characterizes Paik's stream-of-consciousness visual and conceptual techniques. In a vibrant image/music collage, he ironically juxtaposes high-cultural artifacts (the aria from Madame Butterfly), contemporary avant-garde icons (Laurie Anderson) and Eastern symbols (the butterfly), within a rapid-paced proliferation of vividly computerized visual effects. This abbreviated work is classic Paik.

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

In the depths of a snowy forest in an unknown wartime, two soldiers from opposing armies try to outwit each other in a perilous game of cat and mouse - until they find themselves outplayed by destiny.