Bambino and Bawa meet in Lagos and hit it off immediately. During their long trips around the city they develop a deep affection for each other. But in a society which considers homosexuality taboo, they feel the pressure of social norms.

The 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists

A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.

A young man returns home for the weekend to discover the difficulty of juggling friends, parents, magic mushrooms and several thousand chickens.

Dan Evans, a small time farmer, is hired to escort Ben Wade, a dangerous outlaw, to Yuma. As Evans and Wade wait for the 3:10 train to Yuma, Wade's gang is racing to free him.

Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.

"Behind every strong man is a strong woman!", Mumine shouts as her husband is arrested. She has 4 children, she's in her mid-30s, and she's the wife of a Crimean Tatar political prisoner. Muslim Crimean Tatars have been oppressed for a long time. They were deported under Stalin, allowed to return under Gorbachev, and since the occupation of Crimea in 2014 under Putin, they are being persecuted again. "Return" is a portrait of Mumine and Maye, two strong women struggling with the consequences of oppression. Their traditional understanding of their role as women does not stand in the way of their dedication. They possess strength, beauty and dignity. Only in their most intimate moments, they are overwhelmed by desperate helplessness.

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

Polish animator Anna Błaszczyk’s humorous short—a collage of drawing, cut-out, and computer animation—was inspired by Stanisław Lem’s 1961 novel Return from the Stars, a time-paradox tale of an astronaut who returns to Earth after many years away.

Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.

Rok 1942, niewielkie miasteczko w Czechosłowacji. Tono Brtko (Jozef Króner), ubogi stolarz, dzięki wpływom swojego szwagra i zarazem faszysty (František Zvarík) przejmuje niewielki sklep, położony przy głównej ulicy. Jego chciwa żona Evelyna (Hana Slivková) widzi w tym szansę na zyskanie fortuny. Tono odkrywa jednak, że poprzednim właścicielem tego interesu była przedtem niesłysząca staruszka (Ida Kamińska), która zbankrutowała. Społeczność żydowska, która wspiera ją finansowo, oferuje stolarzowi pieniądze w zamian za udzielenie jej pomocy. Tono zaprzyjaźnia się z panią Lautmanovą, pomaga jej w sklepie i naprawia meble. Kiedy Żydzi zostają wygnani z miasta przez faszystów, postanawia raz jeszcze wyciągnąć pomocną dłoń do staruszki.

Zaid po 7 latach spędzonych w więzieniu zaczyna działać pod przykrywką dla policji w zamian za zwolnienie i możliwość zobaczenia się z 7-letnim synem, z którym był w separacji. Desperacko próbuje połączyć swoje życie tajnego źródła w brutalnym gangu, budując relacje z synem, ale ostatecznie oba światy się zderzają. Po zdemaskowaniu musi zrobić wszystko, co w jego mocy, aby chronić syna.

From 1970-1977, six low budget films shown at midnight transformed the way we make and watch films.

Czy potrafilibyśmy zaprzyjaźnić się ze swoim rodzicem, gdyby nasze wspólne drogi przecięły się w czasie, kiedy oboje byliśmy dziećmi? Taka sytuacja przytrafia się ośmioletniej Nelly, która spotyka rówieśniczkę łudząco podobną do swojej matki. To niecodzienne wydarzenie staje się punktem wyjścia do opowieści o przyjaźni, potrafiącej przekroczyć pokoleniowe bariery i zarazem studium potęgi dziecięcej wyobraźni. Céline Sciamma, autorka nagrodzonego w Cannes "Portretu kobiety w ogniu", w swoim najnowszym filmie porusza motyw przepracowywania żałoby (bohaterów poznajemy w momencie odejścia nestorki rodziny), jednak na pierwszy plan wydobywa niezwykłą czułość rodzinnych relacji i celebruje ciekawość świata, którą zaraża nas młodziutka Nelly.

Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.

A horror short with no dialogue (Advised to watch with headphones)

The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.

Marithé works in a training center for adults. Her mission: to help other people to change direction in their work and to find their vocation. Carole, who lives and works in the shadow cast by her husband, Sam, an energetic and talented Michelin-starred chef, arrives in the center one day. It's not so much a change in job that Carole seems to need, as a change in husband. Marithé does everything she can to help Carole set out down a new path. But what are the real motives behind this devotion? After all, Marithé doesn't seem to be impervious to Sam's charms, or to his cooking.

Pozostająca w związku uczuciowym niemoralna młoda kobieta jednocześnie utrzymuje kontakty z dwoma innymi mężczyznami.

As a result of a successful conspiracy against Menshikov, Peter II is prematurely recognized as an adult and is in a hurry to be crowned in Moscow. The Dolgoruky brothers gather for this celebration. There were eight of them - all-powerful and influential representatives of the ancient Rurikovich family - and among them the beautiful Ekaterina, the daughter of the huntsman Alexei.