A young girl suffers a terrifying nightmare of a vampire with blazing golden eyes. Eighteen years later, it is revealed to be a hellish prophecy when a strange package containing an empty coffin mysteriously turns up at a nearby lake.

'Skippy' seeks to win the love of celebrities and a women by getting his photograph taken with as many famous people as possible.

On the 20th anniversary of their edgy little 90's cable show Underground Entertainment, the authors, along with many SF, horror and B celebrities in cameos, remember how they pushed the envelope, shocked, entertained, but also introduced the audience to many movies, comics and conventions.

Did the Nazis ever see Charlie Chaplin's 'The Great Dictator'? Yugoslavia, 1942 - The young Serbian projectionist Nikola Radosevic decides to teach the German oppressors a lesson they won't forget. The beginning of a true and astonishing World War II resistance story.

Amerykańska para zabiera swoją 10-letnią córkę, Claire, do hotelu jej dziadka Lawrence'a w Dolomitach we Włoszech. Zazwyczaj przyjeżdżają na Boże Narodzenie, ale w tym roku jest sierpień. Faktem jest, że się rozstają, a gdy Claire zdaje sobie sprawę, że w tym roku nie będzie rodzinnych świąt, nalega, aby wszyscy przyjechali na święta w sierpniu. Claire, w zmowie ze swoim dziadkiem, planuje działania, które mają na celu ponowne zjednoczenie jej rodziców.

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

Christian Slater is a stranger who comes to a small town. The local citizens think he's up to no good. After bothering him for a while, he blurts out in frustration, that he is there to kill himself.

Tytułowa bohaterka (Bárbara Lennie) po śmierci matki wyrusza w podróż, aby odkryć tożsamość swojego ojca, która była przed nią ukrywana przez całe życie. Trop prowadzi Petrę do wiejskiej pracowni sławnego i bezwzględnego rzeźbiarza. W tym miejscu losy bohaterki krzyżują się nie tylko z egocentrycznym artystą, ale także z jego nerwową żoną i zahukanym synem. Tak rozpoczyna się wyjątkowa intryga, pełna rodzinnych sekretów, ale i okrutnej przemocy. Czy na końcu tej drogi bohaterowie będą mogli jeszcze liczyć na odkupienie?

A two-minute computer animation of a fantastical centipede having a spot of bother with a mischievous segment.

Strict and always dissatisfied grumbler Mr. Angel gets a voucher for summer recreation. He rejects it at first but he eventually decides to use it and spend 14 days in unionist hut Jezerka together with other merited co-workers.

The Gift follows fun, vibrant artist, Barbara Bird, during the final year of her life and beyond her death. Fighting a severe form of breast cancer, we share time with Barbara as she comes to terms with - and celebrates - her own mortality, challenging what makes a good life, a good death, a person? Is it what they say, what they do or the memories they leave with us?

Red, a shy orphan who spent most of his childhood in a girly bar, grew up to be the town's best fixer. When a rich kid was gunned down in a drug bust that went wrong, Red was hired by Art, a spoiled socialite, to fix the mess.

Three girls drive around Hollywood without paying much attention to the road.

Migrating by sea from Holland as an eight-year-old, Dirk de Bruyn went on to be a doyen of Australian experimental cinema. But as this intimate film reveals, his work is suffused with the trauma of migration, and the struggle to recognise himself as a ‘new Australian'. In conversation with documentarian Steven McIntyre, Dirk guides us through more than 40 years of his filmmaking: the early years exploring technique and technology, a subsequent phase of unflinching self-examination brought on by upheaval and overseas travel, and more recent projects where he attempts a fusion of personal, cultural, and historical identity. What emerges is an inspiring, rugged, and at times poignant portrait of an artist committed to self-expression and self-discovery through the medium of film.

The film studies the history of, and people who made, Extreme Championship Wrestling a cult sensation in the 1990s. Its an intimate look at the subculture of a subculture, and the athletes who were willing to take massive amounts of punishment for little money based on the promise of something more within their industry. This is a film about culture and human beings - who just happen to use tables and chairs and violent acts as part of their performance art. This documentary is not owned or supported by the WWE.

A man, tired of technological advances and consumerism, decides to destroy his electrical appliances.