PEOPLE is a new collaboration of riders and filmers from Mack Dawg Productions. Directed by Pierre Minhondo and Justin Eeles. This newly formed collective combines the talents, attitude, and fun-loving folks from such films as kidsKNOW’s “Burning Bridges,” and Neoproto’s “Some Kinda Life”. Learn, watch, and follow these PEOPLE as they show you real snowboarding in their own form. From our cities to yours, look forward to watching: Jon Kooley, Justin Hebbel, Nima Jalali, Jordan Mendenhall, Curtis Woodman, Mitch Nelson, Bryan Fox, Etienne Gilbert, Robbie Sell, Stephen Duke, Pat McCarthy, Shaun McKay, Josh Mills, Marius Otterstad, Jussi Tarvainen, and Ryan Thompson. -Released August 2006.

Bohaterowie filmu to mieszkańcy małej żydowskiej społeczności w paryskiej dzielnicy Sentier, która specjalizuje się w tekstyliach. Eddi jest gojem, który bardzo chce uchodzić za Żyda, nie mając pojęcia o żydowskiej kulturze i obyczajach. Jego przyjaciele to pełni temperamentu przedsiębiorcy, którzy marzą o karierze i pieniądzach. W tym celu muszą sprzedać towar do sieci olbrzymich supermarketów. Zostają jednak oszukani. Przygotowywana przez nich zemsta jest wyrafinowana i przede wszystkim skuteczna.

Six vignettes pit an assortment of characters against each other in everyday situations.

When an extortionist threatens to force a multi-suicide unless a huge ransom is paid, only Peter Parker can stop him with his new powers as Spider-Man.

Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.

A young college student is given a disturbing ultimatum when a dark secret from his past is resurrected.

As novelist Jovana Fey attempts to check into the first hotel of her 3-week European book tour, she learns that her publisher has gone bankrupt. Penniless and stranded, she decides to continue the tour regardless.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

A Korean riff on The Terminator.

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

The Special Duties Unit (SDU) is an elite paramilitary tactical unit of the Hong Kong Police Force and is considered one of the world's finest in its role. But being the best carries its own burdens. Like everyone else, they go through troubles with love, with family and with their jobs. And sometimes they get horny. This touching story is about Special Duties Unit Team B and their trip to Macau for a weekend of unadulterated debauchery.

W filmie "Spider-Man 3", Peter Parker (Tobey Maguire) ostatecznie odnalazł równowagę pomiędzy swoimi uczuciami do M.J. (Kirsten Dunst), a obowiązkami super bohatera. Na horyzoncie gromadzą się jednak czarne chmury. Kiedy kostium Parkera nagle zmienia kolor na czarny, a jego moc staje się jeszcze większa, metamorfozie ulega również sam człowiek-pająk. Ujawnia się mroczna osobowość Spider-Mana. Na skutek nieujarzmionej pychy, Peter zaczyna zaniedbywać ludzi, na których zależy mu najbardziej. Co gorsza, nie ma czasu na namysły, bowiem miastu i jego najbliższym zagraża nie jeden, a dwa wyjątkowo złośliwe czarne charaktery, Sandman (Thomas Haden Church) i Venom (Topher Grace). Zmuszony do dokonania wyboru między kuszącą mocą nowego kostiumu, a dawnym życiem, Parker musi odnaleźć w sobie prawdziwego bohatera, pokonać wrogów i własne demony.

Ten film nie ma jeszcze zarysu fabuły

Morbius Jr, now an OId Man, is nearing the end of life, when he finds the last hope for all Morbkind. However, as he fights to protect the future of Morbheads, he finds himself facing off against an unlikely of enemy... HIMSELF.

Following a long fascination with the religion and with much experience in dealing with eccentric, unpalatable and unexpected human behavior, the beguilingly unassuming Theroux won't take no for an answer when his request to enter the Church's headquarters is turned down. Inspired by the Church's use of filming techniques, and aided by ex-members of the organization, Theroux uses actors to replay some incidents people claim they experienced as members in an attempt to better understand the way it operates. In a bizarre twist, it becomes clear that the Church is also making a film about Louis Theroux.

A girl tries to find the answer about love before her big day, in a rainy night.

Tintin and Captain Haddock travel to Peru in search of an abducted friend.

A short film by Owen Patnaude