A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.

Over the course of her stay at the remote residence, Ana becomes more and more familiar with Holden’s idiosyncratic methods that require the participating artists to abandon their own identities and live emotionally and psychologically as their characters. Captivated by her artistic investigation, Ana immerses herself wholly into the method and starts living as Violeta, until her fiction loses control.

A documentary film depicting five intimate portraits of migrants who fled their country of origin to seek refuge in France and find a space of freedom where they can fully experience their sexuality and their sexual identity: Giovanna, woman transgender of Colombian origin, Roman, Russian transgender man, Cate, Ugandan lesbian mother, Yi Chen, young Chinese gay man…

Human traffickers wipe out a young girl's family and village. She then seeks revenge on those responsible, eventually becoming first the hunted then turning into the hunters with the mercenary hired to eliminate her.

A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

Film Henryka Kluby ukazuje ostatni etap życia wielkiego twórcy, etap, w którym Witkacy podejmuje decyzję o samounicestwieniu. Narastające poczucie zagrożenia, bezcelowości wszelkich działań, lęku przed tym, co ma nastąpić, towarzyszy mu nieustannie podczas ucieczki z Warszawy na Wschód przedsięwziętej w momencie wybuchu II wojny światowej. Codzienne fakty i wydarzenia przeplatają się w filmie z reminiscencjami, obrazami z jego życia wspartymi wewnętrznym monologiem artysty. Styl narracji i sposób fotografowania sprawiają, że film staje się przejmującym studium wewnętrznej dezintegracji pisarza. Podkreślając malarskość obrazu, wprowadzając wątki oniryczne, Kluba oddaje na ekranie cechy właściwe zarówno dramatopisarstwu, jak i malarstwu Witkacego. [filmpolski.pl]

I was somewhere between the beggining and the end of life. After winter became spring, and summer became fall, and fall winter again. I always knew change would be constant.

When a barmaid and part-time model becomes a murderer's third victim in Chelsea, the only apparent links are to a local reporter, Mary, and three art graduates financing a film with local part-time jobs.

Two friends fighting dirty

When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.

Typically you know what you are getting into when you go see a movie billed as "romantic comedy." And often they lack romance or comedy and sometimes both. Not to mention that the simplicity of the characters often make the movie very predictable. That said, romantic comedies often don't work overall and viewers are left with a few good moments here or there. All that is said to explain what you won't find in "Fool For Love." That is because the two main characters, in particular Dustin Nguyen's character "Dung" have a complexity to them that creates a real life foundation from which the romance and comedy can be built.

A woman calling herself Princess Oryu enters the woman's prison. She is Kasumi, the daughter of the famous magistrate, Ooka Echizen, who slowly after hearing each of the prisoner's stories begins to realize the mystery that lies behind what it could be a big conspiracy.

An unassuming couple looking for some art-house entertainment is immersed into a film experience like nothing before.

1973 BBC TV movie adaptation of the book by Lewis Carroll.

After an assassination attempt, a broke mob wife takes over his husband's dirty work and collects her husband's debt with the help of her best friend - a hairdresser and her step daughter.

Sofia, a woman in her mid-20s battling depression, stumbles upon a peculiar mask on the roadside and brings it home. Soon, strange things begin to happen. An irresistible urge to put on the mask develops and the lines between what is real and not begin to blur.