Fantozzi to znakomita seria komedii z udziałem jedynego w swoim rodzaju Paola Villaggio. Filmy te opowiadają historię pechowego księgowego Ugo Fantozziego i jego codzienne przygody w biurze i w domu. Fabuła filmu opiera się na katastroficznych i nieco surrealistycznych przygodach, które nieprzerwanie dopadają bohatera wbrew jego woli. Pomysł postaci pochodzi z bestsellerowej książki pt Fantozzi wydanej w 1971 roku. Filmy i serii Fantoizi to prześmieszne połączenie Różowej Pantery", Świata według Bundych", Benny Hilla" i Monty Pythona". To wszystko i tak nie oddaje jeszcze w pełni klimatu tego zakręconego filmu.

After thirty years in the big corporation, Ugo Fantozzi retires. Suddenly, he needs things to do in everyday life and he tries a number of activities: helping Pina shopping; babysitting grand-daughter Uga; a trip to Venice; learning golf. He then fakes documents to get a new job, but in the end he becomes a hypochondriac and doesn't even take a long-awaited chance with Miss Silvani.

Frenetic in its pacing and with miniscule character development, this trite slapstick farce stars three Italian comics - Paolo Villaggio, Lino Banfi, and Massimo Boldi as the idiot-nephews of a wealthy invalid (Enrico Maria Salerno). The uncle's plan is to teach the trio how to successfully steal for a living but the plan does not have a chance against their exaggerated ineptitude.

Fantozzi is now retired but continues to go to the office where it is held up as a fine example of employees intending to do career.

One by one, with a sweet but inexorable rate, Ugo's colleagues, go to a better life. When Ugo is attending at one of the innumerable funerals, he and the priest remain involved in an accident. The doctor says that Ugo as only one week left to live

Ugo Fantozzi was resurrected from the company where he worked because of a crisis, how it will end?Tenth and final chapter of the film series of Fantozzi character.

Ugo Fantozzi, szary księgowy w ogromnej firmie, jest wyjątkowym pechowcem. Potrafi nawet najbardziej niewinnie zapowiadającą się sytuację zamienić w lawinę katastrofalnych wydarzeń. Jest niezbyt przystojnym mężczyzną w sile wieku, ma fatalne maniery i typowo włoskie poczucie humoru, a także całą gamę charakterystycznych dla tej nacji przywar.

Ugo Fantozzi has been ejected from Heaven and is sent back to Earth for a short period of time until the staff in Heaven can get Fantozzi a place there. Fantozzi goes through a variety of unfortunate experiences, such as rescuing his retro punk granddaughter Uga, and having to pay a vast telephone bill due to frequent chat line conversations. He ends up getting arrested instead of his ex-boss, who was originally charged with corruption. Just as he is about to enjoy the World Cup Final with Italy, he is called back into Heaven. Can he find peace once again?

The world's greatest criminal and the world greatest loser share the same face... now they'll share the same life!

Superfantozzi (1986) is an Italian film from 1986. It is the fifth film in the saga of the unlucky clerk Ugo Fantozzi, played by its creator, Paolo Villaggio. In this film, Fantozzi is portrayed in a surreal historical journey, from Genesis to 1980s.

In the barracks of the "Settecamini" fire brigade in Rome, the shabby Squadra 17 tackles missions with resounding failures, waiting in vain for a chance for redemption.

Antonio goes to West Berlin and meets Giuseppe. But Antonio looks like Canarinis, a wanted war criminal, So the daughter of the criminal pays Antonio to impersonate him.

W świecie, gdzie ludzi określa nadany im numer, samotny i prześladowany przez rówieśników Zero poszukuje przyjaciół.

Dear Pyongyang is a documentary film by Zainichi Korean director Yang Yong-hi (Korean: 양영희, Hanja: 梁英姬) about her own family. It was shot in Osaka Japan (Yang's hometown) and Pyongyang, North Korea, In the 1970s, Yang's father, an ardent communist and leader of the pro-North movement in Japan, sent his three sons from Japan to North Korea under a repatriation campaign sponsored by ethnic activist organisation and de facto North Korean embassy Chongryon; as the only daughter, Yang herself remained in Japan. However, as the economic situation in the North deteriorated, the brothers became increasingly dependent for survival on the care packages sent by their parents. The film shows Yang's visits to her brothers in Pyongyang, as well as conversations with her father about his ideological faith and his regrets over breaking up his family.

Yoshida’s first big-budget production and colour film is a haunting tale of unrequited love and postwar disillusion. The story of the fatal attraction between a spineless intellectual and a strong woman is conventional, but its enactment is radically new.

Having cheated on his wife, Giulio, a municipal employee, moves out, but has to find a solution on how to still support his family, and himself.

The film is divided into two episodes, The Hair of Disgrace and The Magician, both focusing on the theme of the occult and beliefs.

In a school where the meeting seems more complete sampling of teachers and professors stupid airhead, there is the class of Peter, repeating in life, which is the "grandfather" to the far more young companions concerning jokes and vulgarity. Even outside the school walls, in the family or in the streets of the village where he lives, Peter is not far behind and his antics continue to freewheel.

A bureaucratic snafu sends Marco Tullio Sperelli, a portly, middle-aged northern Italian, to teach third grade in a poor town outside Naples

Two temp workers, a pensioner and an old bully discover the sport of curling by chance and, convinced of their potential, plan to compete at the 2006 Winter Olympics in Turin.