Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

The film tells a story speaks of "Yusuf ", a plumbing Man, who is exposed to many pranks by his friends.

The Lindenhof School is expecting a busload of proper young English ladies as exchange students. The shock is great when the students turn out to be teenage boys! But while Mademoiselle Bertoux is delighted to stage “Romeo and Juliet” with real boys, both Hanni and her sister Nanni fall for their “Romeo,” Clyde.

Astronauta, Troy Holloway, budzi się w kapsule ratunkowej, niebezpiecznie dryfującej ku Słońcu. Na domiar złego kapsuła traci zasoby tlenu. Troy szybko uświadamia sobie w jak fatalnym znalazł się położeniu. Jedyną szansą na uratowanie astronauty jest komandor Roberts, która prowadzi akcję ratunkową. Holloway, który niedawno stracił syna, łatwo się poddaje i nie wierzy w udanie misji komandor. Zdeterminowana Roberts wykorzystuje łączność radiową, aby rozpalić iskrę nadziei u astronauty i pobudzić w nim wolę życia.

A cruise ship and 3,000 men – it is a universe without heteros and women that usually remains a mystery to the outside world. Once a year the Dream Boat sets sail for a cruise exclusively for gay men where most passengers are united by the wish to live life authentically as themselves in a protected place.

Kim Marsden inherits a cattle station near Alice Springs after the death of her father. Kim becomes convinced her father was murdered. She sends for a legendary local bushman called the Sundowner, who was one of her father's best friends.

Six vignettes pit an assortment of characters against each other in everyday situations.

The defeated remnants of vile Ukrainian nationalists, headed by the leader of the Ukrainian liberation movement, Symon Petliura, cannot accept their historical fate and are plotting an insurrection against the Soviet regime in Ukraine. There is nothing Petliura and his cohorts would not do to win back control over Ukraine, including selling it to the highest bidder, in this case, the Polish dictator Jozef Pilsudski. A group of plotters are coordinating an insurrection in Kyiv with an attack from Poland headed by Petliura’s general Yurko Tiutiunnyk. Predictably, the invincible Red Army defeats the nationalist plotters and proves that the Soviet borders are impregnable.

Vjera (Zlata Adamovská) to kochająca żona i matka trzech dorosłych córek, która po nagłej śmierci męża (Bolek Polívka) postanawia spełnić jego ostatnie życzenie, jakim było wzięcie udziału w maratonie. Wymyśla, by trasę liczącą 42 kilometry pokonać w czterech częściach w rodzinnej sztafecie z córkami. Ambitne panie nie przejmują się faktem, że żadna z nich nie przebiegła dotąd ani metra w jakimkolwiek biegu. Sportowe wyzwanie to dla każdej kobiety szansa, by również rozwiązać i swoje osobiste problemy. Film okazał się największym kasowym sukcesem w historii czeskiego kina.

Franjinha, the inventor kid in Monica's gang, tired of reading the comics, invents a new device to read the stories: a kind of a story-processor, that swallows the printed pages and projects the scenes in movement, on the wall.

Trzeci film z serii "Wściekłość" rozpoczyna się pięć lat po wojnie między klanami jakuza Sanno i Hanabishi. Pokonani żołnierze Sanno zostają wchłonięci przez nową organizację. Klan Hanabishi chce stworzyć jedno, scentralizowane i sprawne przestępcze państwo. Jest tylko jeden problem – Otomo z klanu Sanno. Jako jeden z niewielu pozostał przy życiu. Pracujący obecnie dla Koreańczyków i wspierany przez dawnych kolegów wypowiada wojnę nowym porządkom. Chce załatwić sprawę raz na zawsze. Brutalna walka rozpoczyna się od nowa.

Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.

High school student Jinta is a hikikomori and lives in Chichibu, Saitama Prefecture, Japan. One summer day, when Jinta is absorbed in a video game, a girl suddenly appears in front of him. The girl is Jinta's childhood friend Meiko, but it seems impossible because Meiko died on a summer day. Meiko wears the same white dress when she died, but she looks a little taller. She tells Jinta that she has a wish and that's why she came back as a ghost, but Meiko can't remember what her wish was. To grant Meiko's wish, Jinta along with his friends Atsumu, Naruko, Chiriko, Tetsudo and Meiko gather together for the first time in 7 years. Jinta soon realizes that he is the only one able to see Meiko.

If hugs are tangible why am I hugging the void

Świeżo przemieniona w wampira Michelle (Denice Duff), kradnie krwawnik Radu (Anders Hove) i ucieka. Upiór rozpoczyna poszukiwania kobiety, żeby odzyskać swoją relikwie. Tymczasem do Rumunii przylatuje Rebecca (Melanie Shatner). Kobiety będą musiały stawić czoła Radu.

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

Emma's plans get thrown off course when Paolo returns to Italy to take care of his father and she discovers a new passion for making art accessible to all.

Groot odkrywa miniaturową cywilizację, która uznaje naszą relatywnie gigantyczną sadzonkę za bohatera przepowiedzianego proroctwem.

In hustle and bustle of urban life, we sometimes don't know our neighbors next door. And in the village, everyone knows each other and lives with the joys, troubles, and worries of a neighbor, like one big family. That's why a person is pulled to their small homeland, to their roots. The one who forgets their roots experiences a burdensome emptiness and dissatisfaction with their achievements in life.