A fatal accident leaves RJ Surya, afflicted with face blindness and an inability to recognise voices, which renders him unable to recognise faces and people. On a fateful day, he witnesses the horrific murder of Amrutha and circumstances plunges him to the depths of a criminal plot.

When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

“When I told my mother a boy was hitting me on the playground, she said: ‘That’s because he likes you.’” So begins this exposé about femicide, with the sentence appearing in black letters on a bright red background. The film shows three women who survived abusive relationships—by becoming murderers themselves. Laura from Finland, Rachel from the Netherlands and Rosalba from Italy explain how and, more importantly, why they killed their partners. One speaks eloquently, another haltingly, but all three are candid.

18th-century England and Ireland viewed through the eyes of four beautiful high-born sisters - Caroline, Emily, Louisa, and Sarah Lennox, great-granddaughters of a king, daughters of a cabinet minister, and wives of politicians and peers.

A love story of the 21st century. Hoping for change, Ema runs away from her family and leaves her husband. She hides at the apartment of her hairdresser, a gay guy Tony, even though she barely knows him. At the beginning they are merely two strangers, connected by their mutual effort of escaping from their families. They get closer and help each other to overcome the internal, as well as external, obstacles of their lives. Their liberating friendship almost becomes a love affair, despite the fact it cannot be fulfilled. This liberation creates an intense bond between them: a new escape, a new quest. This is a love story of two people and their attempts to escape the trap of their own desires of belonging to somebody.

Simba: The King of the Beasts is an 1928 American black-and-white silent documentary film, directed by Martin and Osa Johnson, which features the couple's four-year expedition to track the lion across Kenyan veld to his lair.

A 20 year old young man asks some kids if he can play football with them. They think it’s weird and ask him how old is he. When he answers «I’m ten» he is laughed at. But he is going to find another group of kids who are different, just like him…

Os Paralamas do Sucesso Uns Dias Ao Vivo é o título do lançamento de uma das bandas pop-rock mais respeitadas do país. Reunindo o melhor do repertório do grupo e contando com várias participações especiais. O show, gravado em novembro de 2003, no Olympia, em São Paulo, mostra a banda em um dos seus melhores momentos.

Financial Officer Katharina Kamp has to collect tax debts from the stud owner Carl von Balkhausen. She arranges a local appointment, but the grumpy squire ignores her. When Katharina unexpectedly loses her brother and his wife in an accident, she initially has very different worries. She lovingly takes care of her niece Lara, who survived the accident and now sits in a wheelchair indefinitely. By chance, Carls and Katharina's paths intersect again. He and his horses work wonders for Lara and Katharina.

Moving is hard, moving on is harder.

Nikita, a simple craftsman, is fighting the Gorynych Serpent.

Upon her father's death, a woman comes into emotional and psychological conflict with her young lover, her overbearing sister and her alcoholic stepmother.

Indigo, a girl with a rather unusual route, mentally recalls her life from her birth till the event which led her to emancipate. She grew up in a family with two heterosexual fathers, Rubén, the Spaniard, and Tony, the American, united in the bonds of a non-carnal marriage, who had decided to raise their daughter together, born to a surrogate mother. But when she decides to get back Indigo, things get more complicated...

Jairo feels that his privacy is invaded when Hugo, a longtime friend who is temporarily staying with him, brings home his suicidal cousin Moi. This forced cohabitation leads the characters to understand the sense—or nonsense—of life.

Eduardo, a man about to get married to his lifelong sweetheart, begins having second thoughts about the step he is going to take. His future wife is not one-of-a-kind and, among the wedding guests, there are several women he would not mind spending the rest of his days with. So, while the ceremony carries on, he fantasizes about the lifestyle he could experience with some of them.

Once again, director Yulia Solnsteva directs a movie that her late husband Alexandre Dovchenko scripted but did not live long enough to shoot. In this wartime drama, the emphasis is on the heroics of both the civilians and the soldiers during times of severe stress in World War II. At the core of the action is one man in particular, whose sacrifices and heroics speak for a much larger group.