‘Finding Fanon’ is the first part in a series of works by artists Larry Achiampong and David Blandy; inspired by the lost plays of Frantz Fanon, (1925-1961) a politically radical humanist whose practice dealt with the psychopathology of colonisation and the social and cultural consequences of decolonisation. In the film, the two artists negotiate Fanon’s ideas, examining the politics of race, racism and the post-colonial, and how these societal issues affect their relationship. Their conflict is played out through a script that melds found texts and personal testimony, transposing their drama to a junkyard houseboat at an unspecified time in the future. Navigating the past, present and future, Achiampong and Blandy question the promise of globalisation, recognising its impact on their own heritage.

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

Najdroższy film w dziejach rosyjskiej kinematografii. Ponad 7-godzinna epopeja wojenna, zrealizowana z niespotykanym rozmachem. Wielka Wojna Ojczyźniana pokazana została z uderzającym realizmem i dbałością o szczegóły, a sceny ostatecznego tryumfu wojsk radzieckich nad III Rzeszą, czyli upadek Berlina, uznawane są do dziś za jedne z najlepszych w historii kina. Unikalne materiały dokumentalne z archiwów radzieckich w połączeniu ze fragmentami kronik filmowych koproducenta epopei - NRD - i nieomal nieograniczonym budżetem sprawiają, że efekt końcowy nie ma sobie równych. Na uwagę zasługuje międzynarodowa obsada, w tym udział wybitnych polskich aktorów - Jana Englerta, Barbary Brylskiej, Daniela Olbrychskiego, Franciszka Pieczki.

A contest is being held in Cremona for the best violin, with Giannina's hand in marriage as the prize. Filippo is secretly in love with her, but is also ashamed of being a cripple, so he switches his superior violin with that of another apprentice, Sandro, whom Giannina loves.

An old Finnish athlete travels alone through eastern Europe with his van.

Z małą pomocą Pana Literaka żywiołowe Grochy uczą Sztućka czym jest czytanie i jak to się robi.

A group of young men try to interpret their friends art, so they can save face and show support.

Mounya doesn't like the desert, and she doesn't like Majid either, but she agreed to go with him for the weekend to southern Algeria. Rabah Bouberras directs an intimate film which tells the story of a woman taking stock of her past and present during a trip to the south of Algeria with her son and her second husband.

About the partisan movement during the Great Patriotic War.

After awakening in her basement, the protagonist finds herself cursed by an object, rendering her unable to blink. Haunted by a sinister silhouette creature that appears from various locations, she realizes her only chance of defeating it lies in mastering the ability to confront the creature without averting her gaze.

Synopsis 1. "Today's Superpower" (26min, 오늘의 초능력, o-neul-eui cho-neung-ryeok) by Lee Min-seob People who claim to be able to use superpowers once a day gathered! But why can't they use their superpowers? Do they really have superpowers in the first place? 2. "1+1" (30min, 1+1) by Han Jay "Toot! I'm 1+1!" One day, the same alter ego as me appeared! 3. "Jangah & Chichung" (35min, 장아치청, jang-a-chi-cheong) by Kim Tae-hoon-II "Burp!" Once you start burping, there's nothing you can do. A comedy action movie limited to 60 minutes, filled with real superpowers by superheroes. 4. "LOVE SICK" (23min, 러브씩, reo-beu-ssik) by Jung Seung-hoon A year after the end of the zombie crisis, Seung-beom prepares an unforgettable proposal for his girlfriend Ji-yoon who saved him.

The first rule is that there are no rules. For the bare-knuckle combatants competing in Musangwe fights, anything goes - you can even put a curse on him. The sport, which dates back centuries, has become a South African institution. Any male from the age of nine to ninety can compete. We follow a group of fighters as they slug it out in the ring. Who will be this year's champion?

Na peryferiach miasta, w budynku zamieszkanym przez margines społeczny - wszyscy przeistaczają się w zombie. Ich przywódca, niegdyś miły i spokojny nauczyciel chemii (Jack Kao), planuje doprowadzić miasto do zagłady. Na skutek jednego z ataku krwiożerczej hordy ginie chłopak Jenny (Jessica Cambensy) - Andy (Andy On). Aby przetrwać, dziewczyna musi rozpocząć walkę przeciwko byłemu ukochanemu. Jednoczy siły z miejscowymi kryminalistami i więźniami, by ocalić miasto.

Several murders of nuclear scientists, that baffles Scotland Yard, occur in London about the same time that Bill Locklin, a special officer from the United States State Department, arrives to oversee the transfer of Professor Leon Dushenko, a Russian scientist who as fled the U.S.S.R. An attempt is made on Dushenko's life with a monkey's paw-print found at the scene.

Todd Verow's experimental narrative feature heralding the end time. Split up into 20 short films, the film explores the fear and longing of several characters as they wait for some unspecified apocalyptic event. Some try to escape physically, emotionally or sexually while others welcome the end with open arms. A woman (PHILLY) is busy dragging her own corpse, trying to find a resting place for it, when she encounters an old lover (MICHAEL BURKE) who used to be a she but has transitioned to a man. He wants to get out of town but she wants to stay it's the end of time when nothing is a crime. Several gay men engage in more and more extreme sexual activity, they want to experience it all before the big collapse. Two gay ex-lovers try to reconnect and feel something, anything but total emptiness. Porn actors and producers make more unsafe films as fantasies grow darker and more violent. Will the world end with a whimper or a bang? Or worse will it not end at all.

Documentary about the making of American Pie (1999), American Pie 2 (2001) and American Wedding (2003).

A funny family comedy about how big wealth can affect life.