A group of Italians take a flight to Sweden: among them there are the tourists, and the immigrants.

Willy, the son of baron Van Hergershuizen, finds himself disinherited after he marries an untitled girl. His wife decides to take action and applies for the job of the baron's housekeeper.

Jorge de Sena was forced to leave his country. First he moved to Brazil, and later to the USA. He never returned to Portugal. During his 20-year-long exile, he kept an epistolary correspondence with Sophia de Mello Breyner Andresen. These letters are a testimony of the profound friendship between the two poets, letters of longing and of desire to “fill years of distance with hours of conversation”. Through excerpts and verses, a dialog is established, revealing their divergent opinions but mostly their strong bond, and their efforts to preserve it until their last breaths.

After years of touring abroad with his "Cirque Hollandais", Hendrik van Dalen returns to Holland, hoping that his brother will lend him financial support. Since the death of his wife, things have gone from bad to worse with Hendrik, who drowns his sorrow in drink. Moreover, he has set his heart on the circus-equestrienne, who pretends to love him but is having an affair with the company's wrestler. By encouraging Hendrik to drink, they hope to get their hands on his possessions. Hendrik's daughter sees through their designs and, with the aid of the clown Louisot, tries to foil their plans.

A forty-year-old employee marries a seemingly quiet girl who turns into a mantis after the wedding.

Otello Morsiani, a north-eastern-italian lawyer, takes the job of estimating land holdings on the Po Delta, which are intended to be expropriated to make way for a national park. The lawyer soon discovers that in that area, once target of methane extraction, the soil is now at risk to sink, due to hydrogeological disturbance: in the meanwhile, he also digs out a mystery tied to a death dating back twenty years before.

Everyday all kind of people pass through a Police Station, especially if it is downtown. Today, however, the chief of police has bought his first car and he has decided to test it with his wife going to Ostia. But first a theatrical company sent out of the theatre, last Alfredo Todini arrested while walking wearing a gown and in the mean a series of human cases, ranging from the pathetic to the funny one, get in the way of his wish.

Tina is on trial for the murder of her lover, Gino. The violent nature of their relationship, revealed in the trial, seems to make obvious that she accidentally killed him during a fight. The lone female jury member compares her life to Tina's and, believing her to be innocent, sets out on her own to find a missing witness that can prove Tina's innocence.

"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.

Michele criticizes the film industry and its inhabitants, and is particularly embattled with a Neapolitan director making a musical about the 1968 student demonstrations. At the same time, Michele has a creative block and struggles to finish his film titled "Freud’s Mother." Nanni Moretti’s self-inquiry into filmmaking, political ennui, and men’s relations with their mothers.

A man decides to cook for himself and finds a revolver (which may have belonged to John Dillinger) hidden in his kitchen.

Matteo Scuro (Marcello Mastroianni) jest wdowcem, emerytowanym pracownikiem Sycylijskiej kolei. Pewnego dnia postanawia odwiedzić swoje dzieci mieszkające w kontynentalnej części Włoch. Poszukując ich odwiedza Neapol, Rzym, Milan i Turyn. Jedną noc spędza nawet na ulicy między bezdomnymi. Matteo wraca na Sycylię i odwiedzając grób swojej żony składa jej ironiczny raport z podróży.

Matka ratuje Julie Kohler (Jeanne Moreau) przed samobójstwem. Po tym wydarzeniu Julie opuszcza miasto. Tropi pięciu mężczyzn, którzy jej nie znają i zabija ich różnymi metodami. Dlaczego to robi? Jaki ma w tym cel?

In Rome, fascist supporter Emanuele attends a parade commemorating Adolf Hitler's historic meeting with Italian leader Benito Mussolini, leaving his apolitical wife, Antonietta, to tend to household duties. Antonietta encounters a man, Gabriele, who appears surprisingly nonplussed by the political event. Over the course of the day, the two forge a close friendship that will forever change their perceptions of life, love and politics.

15 years after the monumental "I mostri" which was a great example of Italian sketch comedy, 3 of the greatest Italian directors ever (Risi, Monicelli, Scola) the best Italian writers ever (Age, Scarpelli) the best Italian actors ever (Tognazzi, Gassmann, Sordi) one of the most beautiful woman in the world (Ornella Muti) participate to this great tribute.

Three partisans bound by a strong friendship return home after the war, but the clash with everyday reality puts a strain on their bond.

At a track near Rome, shoeshine boys are watching horses run. Two of the boys Pasquale, an orphan, and Giuseppe, his younger friend are riding. The pair have been saving to buy a horse of their own to ride...

After a fateful encounter in the summer of 1966, the lives of two brothers from a middle-class Roman family take different directions, intersecting with some of the most significant events of postwar Italian history in the following decades.

Fielding Mellish pod wpływem Nancy angażuje się w politykę. Zaczyna brać udział w ulicznych demonstracjach, wygłasza odczyty, za wszelką cenę stara się zaimponować Nancy. Ta jednak pragnie spotykać się tylko z prawdziwym politycznym liderem. Fielding wyjeżdża zatem do San Marcos, gdzie przyłącza się do rebeliantów, a po zakończonej rewolucji zostaje prezydentem kraju.

Wieloletni związek Ivana (Fernando Guillen) i Pepy (Carmen Maura) nagle się kończy. Porzucona i samotna kobieta postanawia więc zmienić swoje życie, by oddalić od siebie złe wspomnienia. Kiedy nic z tego nie wychodzi, wpada na dość przerażający pomysł i przygotowuje sobie koktajl z soku pomidorowego oraz... tabletek nasennych. Oto Almodovar w szczytowej formie, opowiadający o problemach kobiet w konwencji opery mydlanej. Wzruszające i zabawne kino, które zdobyło nominacje do Oscara, nagrody BAFTA i Złotego Globu za najlepszy film nieanglojęzyczny. Na dokładkę młodziutki Antonio Banderas.