Dona Hermínia is back, but now rich and famous since she is the host of her own successful TV show. However, the overprotective character will have to deal with her children's departures, as Marcelina and Juliano decide to move out. In counterpart, she will welcome, as a visitor, her sister Lúcia Helena, who's been living in New York.

Valdomiro gets involved in yet another scheme, this time involving the same people that tricked him into losing everything - and he brings everyone from Ms. Jô's hostel along.

Geraldine is a fairy who lost their wings by using unconventional methods in their missions. Her last chance to retrieve them will be the mission "Julia".

Successful at work, Fernanda is an example of women of the third millennium, free to make their choices and independent. Yet in her personal life she finds herself struggling to find a husband. Like other women of her generation, Fernanda put her personal life on hold to devote herself to her career and now suddenly feels her love life situation has become an emergency. Being single at 39 is quite different from being single at 29, after all "the fertile egg has an expiration date"!

João Ernesto Ribamar is a corrupt politician running for the presidency. He is in the runoff election, ahead on the polls, when he receives a "mandinga" (curse) from his grandmother, which makes him unable to lie. Now the problem begins: How to win an election by telling only the truth?

Dona Hermínia will have to rediscover and reinvent herself because her children are forming new families. This supermom will have to deal with a new life scenario: Marcelina is pregnant and Juliano is getting married.

Alice owns a network of sex shops and workaholic who, in trying to reconcile the harsh routine of work and family life, suffers nervous breakdown, she is forced by her husband to go to spa. Precisely at this time, appears unique opportunity to expand its business in New York. Using fun gimmicks, risks his health, leaves spa party there with family to ride, but actually in order to facilitate their professional interests. In trying to reconcile the agendas, engage in hilarious situations and mistakes that culminate in the possible separation of the couple.

Alice is a thirty-something woman married to João, has a son and is very successful professionally. Alice is the typical workaholic, whose work is her largest and only pleasure. On the other hand her personal life does not exist: no sexual activity, zero libido, zero personal life. The lack of a sex life in Alice's life is overflowing in Marcela's, her stunning neighbor. A true expert on the subject, Marcela is the owner of a sex shop and knows everything when the theme is the search for pleasure. Like in the typical comedy of errors, the lives of Alice and Marcela will cross and both will undergo huge transformations after this encounter.

The diabolical Ratam (Paul Reis) takes over the planet Antar, after the death of the emperor, and orders that all children be enslaved. Always kept within the palace, Princess Xeron (Xuxa) believes that the people of her kingdom are happy. Meanwhile, outside, the princes Mussaim (Mussum) Dedeon (Dede Santana) and Zacaling (Zacarias) join the Nameless Knight (Renato Aragão), so that together they can defeat Ratam.

In Rio de Janeiro, the forty and something years old Mercedes (Lília Cabral) goes to the psychoanalyst and tells the story of her life since she was a girl and lost her mother. Along the three years of analysis, her life changes and she divorces from her husband Gustavo (José Mayer) and has love affairs with the younger Theo (Reynaldo Gianecchini)

Após 4 anos de apresentações lotadas por todo o país, Rafinha Bastos lança o DVD de seu primeiro show solo de stand-up comedy: A Arte do Insulto. No espetáculo que o projetou, Rafinha destila humor e muita polêmica. O ator judeu e gaúcho não poupa as próprias raízes – e nem as alheias. Em cima de um palco, apenas um microfone, um banco, muito sarcasmo e ironia. Rafinha Bastos diz o que pensa, em um show sem frescura, sem censura e sem limite. Ah… e nos extras, um documentário de 30 minutos com o primeiro show do comediante em sua cidade natal: Porto Alegre. Muito legal! Pelo menos foi o que ele e três carpinteiros suecos disseram.

The film tells the story of Luiz Antônio, a clumsy radio host, who unexpectedly finds himself in charge of a bankrupt radio station. Relying only on his passion for rock'n'roll and a crazy team, he creates one of the most emblematic radio stations in the history of Brazilian rock, Fluminense FM. Among guitar solos and radio signal interferences, we follow the adventures misadventures of Luiz.

Deco jest trzydziestoletnim lekkoduchem, który żyje z dnia na dzień. Pewnego dnia spotyka Zoé, ambitną producentkę radiową, i jej uroczego szczeniaka - cierpiącego na narkolepsję Guto. Po kilku latach Zoé zaczyna mieć dosyć leniwego chłopaka i postanawia związać się z innym mężczyzną. Przejmuje także pełną opiekę nad psem. Dla Deco jest to szok. Udaje mu się w końcu zwlec z kanapy i stanąć do walki o ukochanego czworonoga.

Chico (Caco Ciocler) is tired of the relationship and his wife's, Nena (Ingrid Guimarães), complaints. After spending 15 years together Chico has zero corauge to ask for a divorce. He decides to follow his friends advice and hire a lover to his wife, the womanizer Corvo (Domingos Montagner), in hopes that she gets involved with him and ends their marriage.

Lato 1996, północno-wschodnie wybrzeże Brazylii. Tamara cieszy się ostatnimi tygodniami w wiosce rybackiej, w której mieszka przed wyjazdem na studia do Brasilii. Pewnego dnia słyszy o nastolatce, której nadano przydomek Heartless (Bez serca) po bliźnie na klatce piersiowej. Z biegiem lata Tamara czuje coraz większą sympatię dla tej tajemniczej dziewczyny.

Picucha may seem old-fashioned, but she has modern ideas and a great sense of humor. As the matriarch of a big family, she is involved in the daily lives of her children, grandchildren and other relatives. Undeterred by the typical problems of old age, she uses her many years of experience to solve problems in the best way possible.

Long before they socialized almost every day at Dona Jô's pension, Jéssica, Ferdinando and Máicol didn't even know each other. But when Terezinha decides to organize a big feijoada at Morro do Cerol, they all meet for the first time, in the most unusual way possible.

The immature and cheap douche bag Fábio Clóvis marries the pseudo-intellectual Miá and they travel in a cruise to Europe on board of a fancy passenger vessel. Fabio and Miá are invited to have dinner with the wealthy Beto Assunção and his gorgeous wife Laura in a VIP restaurant on the vessel. Soon Fábio discovers that Beto was Miá's boyfriend and Miá learns that Fábio had a crush on Laura that was his classmate. Meanwhile the cynical chamber maid Suzana Mello and her estranged husband, the entertainer Wilson, make a bet that Fábio and Miá will split before the end of the trip and poison their relationship. When the ship arrives in Casablanca, Fábio meets his bothersome childhood friend Cabeça that affects their honeymoon.

The publicist Claudio and the housewife and choral teacher Helena have been married for many years, but they do not understand and respect the feelings and view point of the partner. Claudio sees Helena as a shopper and "little teacher of a choral" and Helena sees Claudio as an insensitive and rough man. On the night before the fiftieth anniversary of Claudio, they changed places with each other.

The sierras of southern Brazil, 1963. The son of an French man and a Brazilian woman, Tony is a young man with a profound love of cinema and poetry. After graduating from college he returns to his small town in rural Brazil, to find out that his father had left for good, back to France. Tony then looks for the company of his fathers friends in search of information and references of a lost male role-model. He becomes a school teacher and a male figure to kids, in an attempt to provide them with something he lacks himself. A series of developments lead him to a surprising final lead on his fathers' whereabouts and reasons for leaving.