A Broadway producer is in a quandary when he discovers that the opening of his newest big production coincides with that of a major charity event. He despairs that the show will close after opening night until an ingenious writer suggests that he simply give the production snob-appeal by making the tickets nearly impossible to get by fabricating a story that they were all purchased by a flamboyant Texas oil baron who is totally besotted by the show's star.

The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.

Ojciec Jamesa zaprasza rodzinę Hayley na święta do luksusowego kurortu narciarskiego w Alpach. Zamierza tam przedstawić wszystkim swoją nową dziewczynę. Niestety, rodziny bohaterów przez pomyłkę zamieniają się hotelami i lądują na dwóch różnych krańcach doliny, w skrajnie różnych standardach noclegowych. Czy związek Hayley i Jamesa przetrwa kolejne zwariowane święta?

Three robbers on the run to a new life cross their way with a woman and her son and with the tragic curse they're bringing. On their trail, the mob boss they worked for and a mysterious secret organization of unscrupulous men. During this crazy epic ride to hell, a jealous girlfriend and an former-cop and his brisk methods will join them. At stake, the child's life and the future of the world.

"Maine-Ocean" is the name of a train that rides from Paris to Saint-Nazaire (near the ocean). In that train, Dejanira, a Brazilian, has a brush with the two ticket inspectors. Mimi, another traveler and also a lawyer, helps her. The four of them will meet together later and live a few shifted adventures with a strange-speaking sailor (Mimi's client).

An emotionally unavailable flight attendant meets a potential love interest and later finds out that her "perfect guy" has ulterior motives. As the clock ticks down on New Year's Eve, she must fight to keep her murdered ex-boyfriend's secrets or find herself dead.

Czołowy egzekutor mafii w Miami, Cuda (Antonio Banderas), poświęca wszystko, by rozbić organizację przestępczą, którą budował przez całe życie, gdy odkrywa, że ​​jego szefowa Estelle (Kate Bosworth) naraża życie młodej uciekinierki na poważne niebezpieczeństwo. Teraz ma ostatnią szansę, by naprawić swoją przeszłość i znaleźć odkupienie – zarówno dla siebie, jak i swojej rodziny – zanim tłum dopadnie go za zdradę.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.

Krokodyle zjadające ludzi wracają do jeziora, gdy dwa samce i jedna agresywna krokodylka, która chroni swoje gniazdo, sieją spustoszenie wśród mieszkańców.

A bedtime story leads Littlefoot and his grandparents on a journey to a new land, where Littlefoot discovers someone who vanished before he was born: his father! Now Littlefoot must decide between two worlds. Will he leave to be with his friends in the Great Valley, or stay behind and start a new life with his father?

Kontynuując historię z części pierwszej "Hatchet", Marybeth (Danielle Harris) ucieka z rąk zdeformowanego oprawcy Victora (Kane Hodder). Dowiaduje się jednocześnie prawdy o jej powiązaniu z jego przekleństwem. Wspomagana przez armię tropicieli powraca na bagna Nowego Orleanu, by odzyskać ciała swojej rodziny i zemścić się na Victorze.

Legendarny potwór o imieniu October Boy terroryzuje mieszkańców małego miasteczka na Środkowym Zachodzie, kiedy w każde Halloween wstaje z pola kukurydzy ze swoim rzeźniczym nożem i kieruje się w stronę tych, którzy są na tyle odważni, aby stawić mu czoła.

Reporter śledczy próbuje powstrzymać tajny spisek rządowy, który zagraża życiu milionów niewinnych osób.

Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.

Ryan, były agent sił specjalnych, przechodzi na emeryturę i planuje odbudować relacje z synem. Obaj są pogrążeni w żałobie po rodzinnej tragedii, ale starają się znaleźć wspólny język i zacząć budować życie na nowo. Sprawy się jednak komplikują i Ryan zmuszony jest wniknąć do kryminalnego półświatka. To jego jedyna szansa, żeby znaleźć odkupienie i nie stracić syna raz na zawsze.

This film is the record of a traumatic reaction to the terrorist acts in the Moscow subway of March 29, 2010.

The sharks take bite out of the East Coast when the sharknado hits Washington, D.C. and Orlando, Florida.

The film tells the story of a near future in which the earth is irreversibly sandy, as human emissions and rubbish exceed its carrying capacity. As plants and animals mutate to create the Earth's new masters, the "sand worms", which are slaughtering the planet and driving humans to the brink of extinction, the survivors are left to their own devices to find the only remaining refuge in the deep desert, the "Oasis". An exiled team of wealthy businessmen, scientists, security chiefs, mechanic families and gangsters set out on an adventure to find the Oasis in a special armoured vehicle, but the bloodthirsty insects are hot on their heels.