Every Thursday a group of ladies would gather to play cards and discuss their loves, lives and children while their daughters played in the next room. Thirty years later, the daughters meet at a funeral for one of the mothers. Like their mothers, they discuss their hopes, dreams and fears.

Virunga in the Democratic Republic of the Congo is Africa’s oldest national park, a UNESCO world heritage site, and a contested ground among insurgencies seeking to topple the government that see untold profits in the land. Among this ongoing power struggle, Virunga also happens to be the last natural habitat for the critically endangered mountain gorilla. The only thing standing in the way of the forces closing in around the gorillas: a handful of passionate park rangers and journalists fighting to secure the park’s borders and expose the corruption of its enemies. Filled with shocking footage, and anchored by the surprisingly deep and gentle characters of the gorillas themselves, Virunga is a galvanizing call to action around an ongoing political and environmental crisis in the Congo.

Młoda i impulsywna Rosetta, mieszkająca z matką alkoholiczką, jest gotowa na wszystko, aby zdobyć pracę.

Russian monk Grigori Rasputin rises to power, which corrupts him along the way. His sexual perversions and madness ultimatly leads to his gruesome assasination.

A young Arab is caught between cultures as he is sent to a prestigious Jewish boarding school in Israel in the 1980s.

An overstressed American businessman and a French chambermaid make a connection at an airport hotel in Paris.

Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.

The reappearance of notorious criminal Paul Sanchez becomes an obsession for a young police officer who will do anything to catch him.

Claire and Stéphane are two Lyon-based judges who could hardly be more different. She is young and enthusiastic, committed to helping those unfortunates who find themselves in debt. He is older, wiser, but disillusioned with his work and his life. Under Claire’s influence, Stéphane discovers a new lease of life and at last finds a cause that is worth fighting for...

Piękna profesor astronomii z aspiracjami, podczas świątecznego wyjazdu, poznaje uroczego kowboja, zmierzającego na rodeo. Niespodziewana znajomość sprawi, że będzie musiała wybrać między swoim praktycznym chłopakiem a nowo poznanym mężczyzną. Musi zdecydować czy lepiej pozostać w bezpiecznym związku, czy też dać się porwać przygodzie i pozwolić skraść kowbojowi swoje serce.

Marc jest doświadczonym kaskaderem, pracuje z końmi. Po wypadku na planie filmowym mężczyzna dochodzi do zdrowia w Wielkiej Brytanii, ale szanse na to, że kiedykolwiek siądzie w siodle, są małe. Odwiedza go agentka firmy ubezpieczeniowej, młoda i czarująca Florence. Spotkanie z załamanym, nieprzyjmującym do wiadomości porażki człowiekiem zmienia życie kobiety.

Jeannette is a single mother living in a working-class community in Marseilles; she tries to support herself and her two kids on her salary as a check-out girl at a supermarket and lives in an apartment complex where everyone is thrown into close proximity with everyone else. Marius is working as a security guard at a cement factory that has gone out of business; he's also squatting in the building, since the plant is soon to be demolished and he'll be needing his money later on. One day, Jeannette happens by the factory, and spotting several cans of paint, tries to take two of them home with her. Marius spots her and tries to chase her away, while she rails at him with curses against the capitalist system. The next day, an apologetic Marius appears at her doorstep, cans of paint in hand; the two soon become friendly, and a romance begins to bloom, though it quickly becomes obvious that Jeannette's romance novel fantasies are a bit off the mark from what Marius has in mind.

Akcja filmu rozpoczyna się w 1915 roku. Wysłana przez rodzinę do ośrodka dla obłąkanych na południu Francji, rzeźbiarka Camille Claudel (Juliette Binoche) czeka na odwiedziny swojego brata, Paula. Opuszczona przez najbliższych, dręczona obsesjami, miota się między paranoją a apatią. Bruno Dumont, bohater retrospektywy 11. NH pokazuje, jak wokół bohaterki wznoszą się kolejne mury. Otaczają ją zimne ściany szpitala i pozbawieni władzy nad swoim życiem pensjonariusze. Jej zmysły wykrzywia nadwrażliwość, sprzeciw wobec losu, skazującego odmienne jednostki na zamknięcie. Smutkiem przejmuje obojętność ukochanego brata Camille, poety, zachwyconego dobrocią i mądrością Boga, a nie potrafiącego dostrzec cierpienia siostry. Claudel spędziła w ośrodku następne 30 lat życia, definitywnie zrywając ze sztuką.

Płatny zabójca Milo ma dość życia w wielkim mieście i pracy, z którą ostatnio sobie nie radzi. Chcąc uniknąć przykrego spotkania z szefem, postanawia zaszyć się na walijskiej prowincji. Mieszkańcy wsi, w której się zatrzymuje, biorą go przez pomyłkę za nowego piekarza. Milo zaskakująco szybko przyzwyczaja się do nowej sytuacji. Duża w tym zasługa Rhiannon, miejscowej pani weterynarz, którą mężczyzna jest coraz bardziej zainteresowany. Niestety, idylla kończy się, gdy w okolicy pojawia się Bjorn - kolega Mila po fachu.

A high-end musical theater camp is terrorized by a bloodthirsty killer who hates musical theater.

Polish countess Lady Eva is the authoritative signature of the correspondence of an Italian women's magazine; behind the fascinating name hides a Roman girl whose advice will create a series of tangled and comic situations.

Depicts the life of a family in a remote Japanese timber village. Family head Tahara Kozo lives with his mother Sachiko, wife Yasuyo, nephew Eisuke and young daughter Michiru. Economic recession and failed development plans cause tragedy in the family.

A Kafka dialogue is read by actors in Straub's own apartment in Paris.

School boy Stanley does not carry lunch, which is noticed by a teacher who forces kids to share their food with him. He soon warns Stanley that he must get a lunch box if he wants to attend school.

Highlighting one of the most innovative American directors, this film reveals the path traveled by the auteur from his small-town Texas roots to his warm reception on the awards circuit. Long before he directed Boyhood, Richard Linklater’s intense desire to create fueled his work outside the Hollywood system. Rather than leave Texas, he chose to collaborate with like-minded artists crafting modest, low-budget films in a DIY style. His ability to showcase realistic characters and tell honest stories was evident from his films, and others soon took notice of his raw talent.